Click here to order: https://streamlineartvideo.com/juliette-aristides Visit https://streamlineartvideo.com to sign up for updates and future releases. Now you can learn how to create a STUNNING classical figure painting - even if you have ZERO experience and you're a complete beginner! Would you like to learn the secret techniques of painting in the classical style of the Old Masters? And would you like to discover how to do it by following the step-by-step instructions of one of the world’s leading experts on the technique? If so, then you’re in the right place. This is an incredibly rare opportunity to learn from one of the world’s leading experts in the “lost art” of the classical technique — a technique that captures the purity and deep emotion within the human form like no other can.
Views: 186532 Streamline Art Video
Academic art, or Academicism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism", "academicism", "L'art pompier", and "eclecticism", and sometimes linked with "historicism" and "syncretism". The art influenced by academies in general is also called "academic art." In this context as new styles are embraced by academics, the new styles come to be considered academic, thus what was at one time a rebellion against academic art becomes academic art. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video
Views: 4148 Audiopedia
Highlights of the exhibition opening of the"Russian Academic Style" Yurii Tararin and Polina Tsvetaeva are the main protagonists of the exhibition"Russian Academic Style". Eighty artworks have been displayed in the St.Petersburg Academy of Classic Art in Florence. The exhibition runs until March 15, 2019. You still have a chance! SUBSCRIBE to our YouTube channel for more videos: https://www.youtube.com/channel/UCVkvp6SbiVUXq_DnF_va67QLike us on Facebook: https://www.facebook.com/florepinart/ Instagram: https://www.instagram.com/st_petersburg_art_academy/?hl=it Website: www.florepin.com #florepin
Views: 235 Academy of Art of St. Petersburg in Florence
New Masters Academy will release the next part of our Russian Academic Drawing Course with Iliya Mirochnik on January 14th. Watch the trailer to learn more! Head & Neck offers 14+ hours of new content, covering topics such as the structure of the skull, individual bones of the skull, deep muscles of the face, skeleton of the neck & shoulder girdle, muscles of the shoulder girdle, and the portrait drawing process. Join Ukrainian-born artist Iliya Mirochnik as he passes on a 250-year-old academic method preserved at the Repin Academy in Saint Petersburg, Russia and seldom taught outside of the Academy and never before on camera. In the first part of our Russian Academic Drawing Course, Iliya taught you how to hone your fundamental drawing skills. In this next part, Head & Neck, you will undertake a new challenge: the portrait. In order to draw the complexity of nature we need to study all the anatomy that makes up the surface form of the head and neck. You can follow along with assignments, working from high quality photographs and 3D models. And for the first time at New Masters Academy we will be using castings from real human cadavers, prepared by renowned artistic anatomist, Eliot Goldfinger. The Russian Academic Drawing Course is available to stream with any NMA.art subscription. For a limited time get 10% OFF your first billing cycle at New Masters Academy with checkout coupon code: MIRO2 Go to https://www.NMA.art to get started now!
Views: 8607 New Masters Academy
To purchase my new tutorial dvd, please visit:https://www.bellamuseproductions.com/product/painting-classical-portrait-david-gray/ Please visit my blog at http://www.DGPaints.org. To view my workshops schedule, please visit: http://www.davidgrayart.com/#!workshops/cdq3
Views: 4056076 DGPaints
What is ACADEMIC ART? What does ACADEMIC ART mean? ACADEMIC ART meaning - ACADEMIC ART definition - ACADEMIC ART explanation. Source: Wikipedia.org article, adapted under https://creativecommons.org/licenses/by-sa/3.0/ license. Academic art, or Academicism, is a style of painting and sculpture produced under the influence of European academies of art. Specifically, academic art is the art and artists influenced by the standards of the French Académie des Beaux-Arts, which practiced under the movements of Neoclassicism and Romanticism, and the art that followed these two movements in the attempt to synthesize both of their styles, and which is best reflected by the paintings of William-Adolphe Bouguereau, Thomas Couture, and Hans Makart. In this context it is often called "academism", "academicism", "L'art pompier", and "eclecticism", and sometimes linked with "historicism" and "syncretism". Young artists spent four years in rigorous training. In France, only students who passed an exam and carried a letter of reference from a noted professor of art were accepted at the academy's school, the École des Beaux-Arts. Drawings and paintings of the nude, called "académies", were the basic building blocks of academic art and the procedure for learning to make them was clearly defined. First, students copied prints after classical sculptures, becoming familiar with the principles of contour, light, and shade. The copy was believed crucial to the academic education; from copying works of past artists one would assimilate their methods of art making. To advance to the next step, and every successive one, students presented drawings for evaluation. If approved, they would then draw from plaster casts of famous classical sculptures. Only after acquiring these skills were artists permitted entrance to classes in which a live model posed. Interestingly, painting was not actually taught at the École des Beaux-Arts until after 1863. To learn to paint with a brush, the student first had to demonstrate proficiency in drawing, which was considered the foundation of academic painting. Only then could the pupil join the studio of an academician and learn how to paint. Throughout the entire process, competitions with a predetermined subject and a specific allotted period of time measured each students' progress. The most famous art competition for students was the Prix de Rome. The winner of the Prix de Rome was awarded a fellowship to study at the Académie française's school at the Villa Medici in Rome for up to five years. To compete, an artist had to be of French nationality, male, under 30 years of age, and single. He had to have met the entrance requirements of the École and have the support of a well-known art teacher. The competition was grueling, involving several stages before the final one, in which 10 competitors were sequestered in studios for 72 days to paint their final history paintings. The winner was essentially assured a successful professional career. As noted, a successful showing at the Salon was a seal of approval for an artist. Artists petitioned the hanging committee for optimal placement "on the line," or at eye level. After the exhibition opened, artists complained if their works were "skyed," or hung too high. The ultimate achievement for the professional artist was election to membership in the Académie française and the right to be known as an academician. Academic art was first criticized for its use of idealism, by Realist artists such as Gustave Courbet, as being based on idealistic clichés and representing mythical and legendary motives while contemporary social concerns were being ignored. Another criticism by Realists was the "false surface" of paintings—the objects depicted looked smooth, slick, and idealized—showing no real texture. The Realist Théodule Ribot worked against this by experimenting with rough, unfinished textures in his painting. Stylistically, the Impressionists, who advocated quickly painting outdoors exactly what the eye sees and the hand puts down, criticized the finished and idealized painting style. Although academic painters began a painting by first making drawings and then painting oil sketches of their subject, the high polish they gave to their drawings seemed to the Impressionists tantamount to a lie. After the oil sketch, the artist would produce the final painting with the academic "fini," changing the painting to meet stylistic standards and attempting to idealize the images and add perfect detail. Similarly, perspective is constructed geometrically on a flat surface and is not really the product of sight, Impressionists disavowed the devotion to mechanical techniques.
Views: 1265 The Audiopedia
In this excerpt from Dan Nelson's full-length DVD, The Art of Becoming an Artist, watch as Dan demonstrates how to get started sketching a portrait of a child. Follow along as he goes through the proper way to hold your pencil and explains the tools he uses. This is a fun and useful free art lesson for all beginning artists!
Views: 380986 JerrysArtarama
https://www.allartclassic.com - Rest on the Flight into Egypt, 1880 Oil on canvas, painting by French Academic Classicism Painter Luc Olivier Merson. The work was painted at Allartclassic studio, measurements are 20 x 36 inches. It is available for purchase also at your own custom size.
Views: 891 Oil Paintings: Contemporary and Classic Art
Paint like the Old Masters did! In this 2-part How-To video, Mandy Boursicot teaches her step-by-step introduction to painting a portrait using the grisaille method. http://www.opusartsupplies.com/paintingtheportrait - Whether you're an enthusiastic beginner or a practicing professional, the Classical method of grisaille will strengthen your appreciation of values and have you on your way to painting like a master. Part 1 - Learn how to mix the 9 values of grey to compose a beautifully realistic portrait. Mandy covers how to accurately block-in the subject of the portrait, as well as how to establish an overall map for the lights and shadows. Part 2 - This session is all about the details as Mandy finishes rendering the portrait. Learn how to achieve a variety of different shadows and how using small sequenced brush strokes can make your painting seem as if it is blended. Watch Part 2 and read the extended how-to article at: http://www.opusartsupplies.com/paintingtheportrait - Credits Presented by Mandy Boursicot http://mandyboursicot.com/ Produced by Opus Art Supplies http://opusartsupplies.com/ Created by Ryan Mund Music by Dan O'Connor "Mars & Stars" http://www.danosongs.com/ Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Views: 139317 opusartsupplies
In this week's portrait painting video I aim to guide you through the development of a Rembrandt master copy. The paint is vigorously applied to the surface, at times, to try and emulate the bold impasto brush marks in the original painting. If you would like to see more of my artwork please follow/check out my Instagram page at: https://www.instagram.com/yuparifineart/ If you would like to contact me, here's a link to my website: https://www.yuparifineart.com Here's the video on rendering form that I mentioned in this video: https://www.youtube.com/watch?v=lS2W-EE_mis Rembrandt quotes from: http://www.azquotes.com/author/20891-Rembrandt The materials used in this video are given below, Oil Paints: Titanium White - Gamblin Lead White- Rublev Raw Umber- Gamblin Alizarin Crimson Permanent- Gamblin Cadmium Red Medium- Gamblin Cadmium Orange- Gamblin Yellow Ochre- Gamblin Cadmium Yellow Medium- Gamblin Sap Green- Gamblin Ultramarine Blue – Gamblin Ivory Black- Gamblin Panel: Ampersand Smooth Finish 11x14” Gesso: Liquitex Professional Acrylic White Gesso Grey Tone: Master's Touch Acrylic Neutral Grey Brushes: Master’s Touch Filber size 2 Princeton Catalyst Polytip Bristle Filbert size 4 Jack Richeson Grey Matters size 4 Plaza Montgomery Round size 1
Views: 37989 Yupari Artist
#paintingstage #figurepainting #classicalart Sometimes I exercise by painting an academic figure. Here is the a demo of the first painting stage. The goal of this stage is to find the colors and values in a direct and patchy paint application. Follow me: on Instagram - https://www.instagram.com/santocesart/ on Twitter - https://twitter.com/SantocesArt on Facebook - https://goo.gl/DU3oyS Check out my art - http://www.santocesar.com/ Experience how I paint the human figure. I explain every thought of the process, and you will see me apply every mark on the canvas in my latest video: https://amzn.to/2obM20t https://goo.gl/d7WfoT To see me in action painting a portrait of my wife from start to finish, while sharing my thought process in almost 20 hrs of instruction, click the link below: https://goo.gl/8QeaXW https://goo.gl/5oioze Witness my whole process of drawing the figure, from the construct stage to the final layers of rendering. You will hear my every thought and see every mark of charcoal on the paper: https://amzn.to/2o9wnih https://goo.gl/mFJ4j2 My T-Shirt: https://bit.ly/2IuuicM The Palette: Titanium White (Winsor and Newton): https://goo.gl/oGV5g1 Ivory Black (Winsor and Newton): https://goo.gl/KGcv58 Yellow Ochre Pale (Winsor and Newton): https://goo.gl/ZZXkm1 Cadmium Red (Winsor and Newton): https://goo.gl/qpK8uC Mediums: Williamsburg Extender Medium: https://bit.ly/2YN1uBf Thickened Linseed Oil W&N: https://goo.gl/pQM1Ub Brushes: Rosemary & Co Brushes: https://www.rosemaryandco.com/ Cesar Santos Portrait Brush Set: https://bit.ly/2uOcikW Video gear, lighting and other useful links: Camera: https://goo.gl/8wut2N Canon lens: https://goo.gl/rVZQx1 Sigma lens for Canon: https://goo.gl/6iQ6CB Another Sigma Lens for Canon: https://goo.gl/JcBfzE Canon Zoom Lens: https://goo.gl/uGWE7M Mic: https://goo.gl/QEp4ya Tripod: https://goo.gl/LbyX7u JOBI gorilla pod: https://goo.gl/ULcRFm Lights: https://goo.gl/rRsqGR Bulbs: https://goo.gl/A4d95P Disclaimer: some of the links above are affiliate links Music Intro by Punk Rock Opera
Views: 12834 Cesar Santos
Jørgen Wadum, Keeper of Conservation at the National Gallery of Denmark and Director of the Centre for Art Technological Studies and Conservation (CATS) in Copenhagen, specializes in 17th-century Dutch and Flemish painting techniques. In this lecture, Wadum examines Rembrandt van Rijn’s paint handling from his early years in Leiden, the Netherlands, to his mature Amsterdam period. Wadum then discusses works by Rembrandt’s students before analyzing the illusionistic painting techniques of Johannes Vermeer. Wadum was previoulsy the Head of Conservation at the Maurithuis, The Hague, where he directed the conservation of Vermeer’s “View of Delft” (ca. 1660-61) and “Girl with a Pearl Earring” (ca. 1665). Presented in conjunction with the Summer Teachers Institute in Technical Art History, generously funded by the Samuel H. Kress Foundation.
Views: 127771 Yale University Art Gallery
William-Adolphe Bouguereau was born in La Rochelle, France, on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugène, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. He showed artistic talent early on. His father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves. Through his uncle, Bouguereau was given a commission to paint portraits of parishioners, and when his aunt matched the sum he earned, Bouguereau went to Paris and became a student at the École des Beaux-Arts. To supplement his formal training in drawing, he attended anatomical dissections and studied historical costumes and archeology. He was admitted to the studio of François-Edouard Picot, where he studied painting in the academic style. Academic painting placed the highest status on historical and mythological subjects and Bouguereau won the coveted Prix de Rome at age 26 in 1850, with his Zenobia Found by Shepherds on the Banks of the Araxes. His reward was a year at the Villa Medici in Rome, Italy, where in addition to formal lessons he was able to study first-hand the Renaissance artists and their masterpieces, as well as Greek, Etruscan, and Roman antiquities. He also studied classical literature, which influenced his subject choice for the rest of his career.
Views: 310 celticrose2 (the celtic rose)
Jean Stern, Executive Director of the Irvine Museum Collection at the University of California, Irvine compares an academic painting to an Impressionist painting. This painting is part of the exhibit “Moods of California” which will be on display at the Irvine Museum Collection through February 8, 2018. This informal recording was produced by Camille Paraiso Alejandro, a UCI Social Media and Web Communications Student Assistant. For more information, please visit irvinemuseumcollection.uci.edu
Views: 572 Irvine Museum Collection
In this week's portrait painting video we will explore a more classical approach to oil painting. The painting process is extended to 3 layers (rather than just one) with the intent of making the process simpler to understand. If you would like to see more of my artwork please follow/check out my Instagram page at: https://www.instagram.com/yuparifineart/ If you would like to contact me, here's a link to my website: https://www.yuparifineart.com The materials used in this video are listed below, Oil Paints: Titanium White - Gamblin Lead White- Rublev Raw Umber- Gamblin Alizarin Crimson Permanent- Gamblin Cadmium Red Medium- Gamblin Cadmium Orange- Gamblin Yellow Ochre- Gamblin Cadmium Yellow Medium- Gamblin Sap Green- Gamblin Cobalt Teal-Gamblin Ultramarine Blue-Gamblin Ivory Black- Gamblin Panel: Jack Richenson premium gessoed hardboard Mediums: Mineral Spirits-Mona Lisa Fast Dryer: Galkyd by Gamblin (Layers 1-2) Slow Dryer: 1 part Stand oil to 4 parts mineral spirits (Layer 3) Palette: Large Sheet of Glass (took off an old picture frame and placed it over a grey board) Brushes: Simply Simons size 6 Bristle Brush Princeton Catalyst Polytip Bristle Filbert size 4 Jack Richeson Grey Matterssize 4 Plaza Montgomery Round size 1
Views: 106316 Yupari Artist
Alexandre Cabanel (French; 28 September 1823 – 23 January 1889) was a French painter born in Montpellier, Hérault. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of the L'art pompier and Napoleon III's preferred painter. He entered the École des Beaux-Arts in Paris at the age of seventeen. Cabanel studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of twenty two. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death. Cabanel won the Grande Médaille d'Honneur at the Salons of 1865, 1867, and 1878. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to form the character of belle époque French painting". His refusal together with William-Adolphe Bouguereau to allow the impressionist painter Édouard Manet and many other painters to exhibit their work in the Salon of 1863 led to the establishment of the Salon des Refusés by the French government. A successful academic painter, his 1863 painting The Birth of Venus is one of the best known examples of 19th-century academic painting. The picture was bought by the emperor Napoleon III; there is also a smaller replica (painted in 1875 for a banker, John Wolf) at the Metropolitan Museum of Art in New York City. It was given to them by Wolf in 1893. Александр Кабанель (фр. Alexandre Cabanel; 28 сентября 1823, Монпелье — 23 января 1889, Париж) — французский художник, представитель академизма. アレクサンドル・カバネル（Alexandre Cabanel, 1823年9月28日 - 1889年1月23日）は、フランスの画家。 Alexandre Cabanel (Montpellier, 28 de setembro de 1823 --- Paris, 23 de janeiro de 1889) foi um pintor francês, representante do Neoclassicismo Acadêmico. Dedicou-se a assuntos históricos, mitológicos e religiosos. Foi também autor de retratos, paisagens e composições decorativas. Excelente aquarelista. Em 1840 ingressou na École des Beaux Arts onde foi aluno de Picot. Mais tarde seria nomeado professor dessa famosa escola. Apresentou-se várias vezes no Salon tendo sido premiado com uma medalha de segunda classe em 1852, uma de primeira em 1855 e com a medalha de honra em 1865 e 1867. Amigo de Napoleão III, recebeu a incumbência de pintar importantes obras para decoração dos palácios imperiais. Foi um dos mestres de António da Silva Porto, João Marques de Oliveira, Horácio Hora, Rodolfo Amoedo e Almeida Júnior, em Paris. 亚历山大·卡巴内尔（Alexandre Cabanel，1823年9月28日－1889年1月23日），法国学院派画家。
Views: 885 Frederico Custodio
This video is the first in a series of three demonstrating the entire oil painting process, step by step, from start to finish. The entire painting process is covered in (almost) real time so that you can clearly what I do. This first video start with the outline transferred onto the canvas and the imprimatura, which means the first paint layer. The painting then progresses with a grisaille, which is a monochromatic layer using only ivory black, raw umber and titanium white. The rest of the complete process will be revealed in part 2 and 3. Stay tuned, and don't forget to subscribe if it's not already the case... LEARN MORE ABOUT OIL PAINTING : www.florentfarges.com/education LEARN MORE WITH THE PRACTICAL GUIDE TO OIL PAINTING TECHNIQUES AND MATERIALS (5 hours video guide with complete demo) : http://www.florentfarges.com/the-practical-guide-to-oil-painting-techniques/ My Website : www.florentfarges.com MESSAGE IMPORTANT POUR LES FRANCOPHONES : Je ne peux pas tourner les vidéos en version française comme je le faisais à une époque. Je suis désolé mais je n'ai tout simplement plus assez de temps pour m'en occuper. Quitte à choisir une langue, l'anglais est la meilleure option pour être compris du plus grand nombre. Parce que c'est en anglais, des gens du monde entier ont accès à ce contenu ( Chili, Allemagne, Mexique, Grèce... la liste est longue), ce ne serait malheureusement pas le cas si la vidéo était en français. Comme je n'ai pas assez de temps pour tourner la version française, je suis toujours à la recherche de volontaires qui veulent bien publier des sous-titres en français : c'est public, tout le monde peut participer et avec le processus automatique de YouTube, il suffit de compléter le texte proposé qui se cale automatiquement sur les paroles. Avis aux volontaires doués aussi bien dans la langue de Shakespeare que celle de Molière. Like and subscribe ! See you for the next one...
Views: 12474 Florent Farges - arts
http://www.allartclassic.com - A work by French Neoclassicism painter David. Perfect academic style painting, created at Allartclassic studio. Learn more about the artist or his work by following the in-video link Material: Oil on canvas Size: 38.25x54 inches Delivered unframed
Views: 5094 Oil Paintings: Contemporary and Classic Art
From Renegade Tribune Léon François Comerre (1850 – 1916) was a French academic painter best known for his portraits of attractive women. His paintings were exhibited in the salons, in the USA, in Britain at the Royal Academy, and elsewhere in Europe, winning many awards. From History of Painters: Comerre paintings were all about lighthearted sensuality. His breathtaking pictures, painted in a lucid and glowing style, had an extraordinary way of revealing an air of frivolity coupled with deliberate eroticism. He had an affinity with nature, especially its dramatic and ethereal aspects. Primeval intensity, blithe elegance, and an ethereal atmosphere characterize his opulent painting style. Regarding his artistic style: Academic Classicism attempted to merge both techniques to create the perfect style. It is characterized by adhering to a strict manner of painting, following narrow compositional rules and delicacy of color. The atmospheric effects are sumptuously luminescent. According to art historian, Walter Pater “To produce such effects at all requires all the resources of painting, with its power of indirect expression, of subordinate but significant detail, its atmosphere, its foregrounds and backgrounds.” Loreena McKennitt - Full Circle 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰 🦉 Follow me on Twitter: https://twitter.com/AncientEurope 🌌 Flickr: https://www.flickr.com/photos/facesofancienteurope/albums 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰
Views: 316 Faces of Ancient Europe
The Paintings That Tell the Stories by Auguste Toulmouche Auguste Toulmouche (1829 – 1890) was a French painter known for his luxurious portraits of Parisian women. Toulmouche loved to tell stories. But instead of putting quill to paper, he put brush to canvas. His paintings share the academic style of the Académie des Beaux-Arts that dominated French art in the mid 19th century. Playing in Toulmouche’s favor was a trend that lent itself to storytelling—a move towards greater idealism. Although painted in the mid-Victorian era, his themes were often set in the Regency revival and late Georgian periods. Song: Strange the Dreamer - Savfk Google Photos Album https://photos.app.goo.gl/uhTGXSURRKGFyQQa8 #AugusteToulmouche #French #Paintings 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰 🌕 Support me on Patreon: https://www.patreon.com/FacesofAncientEurope 🦉 Follow me on Twitter: https://twitter.com/AncientEurope 🌌 Flickr: https://www.flickr.com/photos/facesofancienteurope/albums 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰
Views: 147 Faces of Ancient Europe
Alexandre Cabanel (28 September 182323 January 1889) was a French painter. Cabanel was born in Montpellier, Hérault. He painted historical, classical and religious subjects in the academic style. He was also well-known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of the L'art pompier and Napoleon III's preferred painter. He entered the École des Beaux-Arts in Paris at the age of seventeen. Cabanel studied with François-Édouard Picot and exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of twenty two. Cabanel was elected a member of the Institute in 1863 and appointed professor at the École des Beaux-Arts in the same year. Cabanel won the Grande Medaille d'Honneur at the Salons of 1865, 1867, and 1878. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to form the character of belle époque French painting" . His refusal together with William-Adolphe Bouguereau to allow the impressionist painter Édouard Manet and other painters to exhibit their work in the Salon of 1863 lead to the establishment of the Salon des Refusés. A successful academic painter, his 1863 painting Birth of Venus is one of the best known examples of 19th century academic painting. The picture was bought by the emperor Napoleon III; there is also a smaller replica (painted in 1875 for a banker, John Wolf) at the Metropolitan Museum of Art in New York City. It was gifted to them by Wolf in 1893. to see more art work of Alexandre Cabanel, please visit:http://www.angeloilpainting.com
Views: 6152 angeloilpainting
PATREON: http://www.patreon.com/jerry8ch Facebook: https://www.facebook.com/pages/Chavez/759075694177911 Twitter: https://twitter.com/jerry8ch How to draw daft punk ANIME STYLE draw as fast as I can Anime is the style that has influenced my drawing I also paint in academic style and do some other cool stuff SUBSCRIBE and let me know what you think ^_^
Views: 2009 Dr. Jerry
If you want to make video essays, there’s no better film to study than Orson Welles’ 1973 masterpiece, F for Fake. There are a million lessons to take away from it, but today, let’s see what it has to teach us about structure. NO SPOILERS. For educational purposes only. You can donate to support the channel at Patreon: http://www.patreon.com/everyframeapainting And follow me here: Twitter: https://twitter.com/tonyszhou Facebook: https://www.facebook.com/everyframeapainting Music: Duke Ellington, Charles Mingus & Max Roach - Very Special Michel Legrand - F for Fake (Cinéma) A Tribe Called Quest - Oh My God (Instrumental) Michel Legrand - Orson’s Theme (After the Rain Version) A Tribe Called Quest - Oh My God Interview Clips: Trey Parker & Matt Stone at NYU: http://nyti.ms/1bNx6xf John Sturges' legendary audio commentary: http://bit.ly/1C2Jq1J Help us caption & translate this video! http://amara.org/v/GWnD/
Views: 817760 Every Frame a Painting
I've always liked to paint flowers for the richness of colors, and love of color probably directed my life-style professional commitment. This motif has enabled me many stylistic researches from direct painting to motifs to different concepts and ideas I had. Oduvijek sam volio slikati cvijeće radi bogatstva boje a ljubav prema boji vjerojatno je usmjerila moje životno slikarsko profesionalno opredjeljenje. Taj motiv mi je omogućio brojna stilska istraživanja od neposrednog slikanja prema motivu do različitih koncepata i ideja koje sam imao. BIOGRAPHY OF THE AUTHOR Mato Jurkovic was born in 1945. He is an academic painter from Croatia and was a longtime professor at the Faculty of Graphic Arts in Zagreb, now a retired. Continues to be active in paintings and at solo and group exhibitions and takes part in humanitarian painters' actions. His paintings are mainly related to figurative themes (flowers and still life paintings, landscape and urban landscape, modern sails, sacral motive, animalism (dogs portrait), nudes and interior and umbrellas), as evidenced by numerous catalogs and other documents. ------------------------------------ Mato Jurković, akademski slikar - Cvijeće i mrtva priroda, ulje na platnu BIOGRAFIJA AUTORA Mato Jurković r. 1945., akademski slikar iz Hrvatske i dugogodišnji profesor na Grafičkom fakultetu u Zagrebu, sada umirovljenik. I dalje aktivno slika i izlaže na samostalnim i skupnim izložbama te sudjeluje u humanitarnim akcijama slikara. Njegovo slikarstvo uglavnom je vezano za figurativne teme (cvijeća i mrtve prirode, pejzaži i urbani pejzaži, jedra, sakralni motivi, animalistički motivi (portreti pasa), aktovi i interijeri, kišobrani), što je evidentirano brojnim katalozima i drugim dokumentima.
Views: 86 Mato Jurkovic
Gustave Jean Jacquet was an academic classical painting artist (1846-1909), he was born in 1846 on 25the May in Paris. He was known as a pupil of Bouguereau and he debuted at the Paris Salon in 1865 and exhibited under "The Reverie", this exhibition showed that he was very much similar to his masters painting style. Gustave Jean was an award winning artist and had won numeral awards and honors. - See more at: http://www.fineartandyou.com/search/label/Historical%20paintings#sthash.D4BaZ74W.dpuf
Views: 1107 Jyoti Vats
The title is a note to the style of painting - I mentioned to David (the Director) when he asked me what kind of style i Painted in - I said "Semi-Academic" We came with the idea as a Joke and then went ahead and did it - David did all the film stuff and I did all the painting stuff and Pia did all her modelling stuff.
Views: 117 Francisco Centofanti
Alexandre Cabanel (28 September 1823 -- 23 January 1889) Was a French painter born in Montpellier, Hérault. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of the L'art pompier and Napoleon III's preferred painter.
Views: 3950 Gallery Art
Thank you everyone for watching and for comments! ༺❀༻ All the best Charles Spencelayh (October 27, 1865 – June 25, 1958) was an English genre painter and portraitist in the Academic style. Spencelayh was born in Rochester in Kent, and first studied at the National Art Training School, South Kensington. He showed his work at the Paris Salon, but most of his exhibitions were in Britain. Between 1892 and 1958, he exhibited more than 30 paintings at the Royal Academy, including "Why War" (1939), which won the Royal Academy ‘Picture of the Year’. He was also a founder member of the Royal Society of Miniature Painters, where he exhibited 129 miniatures between 1896 and 1954. Many of his subjects were of domestic scenes, painted with an almost photographic detail, such as "The Laughing Parson" (1935) and "His Daily Ration" (1946). He also painted still life subjects including "Apples" (1951). Spencelayh was a favourite of Queen Mary, who was an avid collector of his work. In 1924 he painted a miniature of King George V for the Queen's dolls house.
Views: 2309 K A R O L A
Władysław Czachórski (1850-1911) was a Polish painter in the Academic style. In 1866 Czachorski attended the School of Fine Arts in Warsaw and had Rafał Hadziewicz as a teacher. He then spent one year at the Dresden Academy, and from there went to the Munich Academy (1869–1873) others who studied there at the same time included: Hermann Anschütz, Karl von Piloty, and Alexander Wagner. He received Magna Cum Laude (the Grand Silver Medal) from Munich, and proceeded to travel to France, Italy and Poland after his graduation. He held membership of the Berlin Academy and was also organizer and judge of international exhibitions, even though he had his home in Munich. He was awarded the Order of St. Michael in 1893. In addition, he had many art exhibitions in Poland, taking place in Kraków, Warsaw and Łódź. He also exhibited in Lemberg, the capital of Austrian Galicia. After his death in 1911, a posthumous exhibition was held at the Warsaw "Zachęta" Society of Fine Arts. Some of Czachorski's noted works were: still lifes, painted portraits, and Shakespearean scenes. Of these, Juliet's Funeral (1873), Hamlet (1873), and, most notably, Hamlet Receiving the Players (1875), were widely recognized as his greatest works. "The hallmark of Czachorski's style, however, and the basis of his fame, are his images of beautiful young women in rich interiors, painted with great realism. He has long been regarded a master of rendering fabrics, jewelry and other details to create the atmosphere of luxury and elegance." His paintings can be found in all the more famous and larger museums of Poland. His works also make appearances in private collections in many countries including: Germany(Bremen), England and the United States. They can also be found in foreign museums such as Lwów, Ukraine, and the Academia de San Carlos in Mexico City. Thank you, please subscribe for future videos https://www.youtube.com/channel/UC0gMk3w9hw8BbtqoUpEMKeg?sub_confirmation=1
Views: 185 Master Painters
New Masters Academy instructor Steve Huston is an internationally renowned painter and draftsman who has worked for such clients as Caesar’s Palace, MGM, Paramount Pictures and Universal Studios and has taught drawing and painting at Disney, Warner Brothers, and Dreamworks Studios. Tonight he is hosting a FREE event, demonstrating his technique for drawing the portrait and the figure from a LIVE model, while answering questions from the audience! Join us at the Art Mentors studio or online to draw along with Steve and have the opportunity to ask a living master anything you want! We will be taking questions in the chat and on our Facebook page. ** This event will last from 4 PM - 6 PM PDT ** And if you can’t get enough of Steve’s generous and informative teaching style, make sure you sign up for his intensive 2-day figure drawing workshop, this weekend only! Space is limited, and there are only a few seats remaining, so sign up now at artmentors.com
Views: 42958 New Masters Academy
60 minute silent HD slideshow featuring paintings, sketches and drawings by English pre-raphaelite painter John William Waterhouse. Please subscribe for more high quality silent slide shows featuring works of the master painters. Table Of Contents: Image 1 : https://www.youtube.com/watch?v=IU7TTiruJQE?t=6 Biography: John William Waterhouse (1849-1917) A collection of paintings and drawings 2K HD silent slideshow Working between 1870 and 1917 A collection of his paintings, sketches and oil sketches. An English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Waterhouse's work is currently displayed at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009. https://en.wikipedia.org/wiki/John_William_Waterhouse
Views: 527 Master Painters
In order for the LEARNFROMMASTERS project to continue its activity, YOUR KIND SUPPORT IS REQUIRED: PATREON: https://www.patreon.com/LearnFromMasters PAYPAL: https://www.paypal.me/LearnFromMasters --- Pierre Auguste Cot: A collection of 20 paintings (HD) Description: "French painter. He received his early artistic training in the Ecole des Beaux-Arts of Toulouse before settling in Paris in the 1850s. In Paris, Cot studied under Alexander Cabanel, Léon Cogniet (1794-1880), and William Bouguereau. Throughout the 1860s and 1870s, Cot established himself through his participation in the annual Salon, eventually winning several medals for his mythological, historical, and allegorical paintings, as well as his portraits. Toward the end of his career, he was awarded the Chevalier of the Legion of Honour (1874) and was elected to the juries of the Salon (1881) and the Prix de Rome (1883). Although he was influenced by multiple academic sources, Cot based much of his artistic output on the subjects and style of his hugely successful teacher Bouguereau. Cot, along with a handful of French students as well as the American Elizabeth Gardiner, was part of a small, informal group of Bouguereau pupils who closely modeled their art on the master's. A few, such as Emile Munier (1810-1895), even helped complete reductions of Bouguereau's works. Cot enjoyed the patronage of the academic sculptor Francisque Duret, whose daughter he married. Cot maintained a close, almost familial relationship with Bouguereau. Years after Cot's death, Bouguereau painted a portrait of Cot's daughter, Gabrielle (private collection), the only known uncommissioned portrait by Bouguereau that is not of his own family." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Instagram: https://www.instagram.com/learnfrommasters/ Contact: [email protected] SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support! #LearnFromMasters #FrenchPainter #ClassicistArtMovement #OnlineArtGallery #CollectionOfPaintings #ArtHistory #PierreAugusteCot #TASCHEN
Views: 3847 LearnFromMasters
BOOKS about Giuseppe Maria Crespi:  GIUSEPPE MARIA CRESPI AND THE EMERGENCE OF GENRE PAINTING IN ITALY: Exhibition Catalogue by John T. Spike --- https://bit.ly/2WBLb96 --- In order for the LEARNFROMMASTERS project to continue its activity, YOUR KIND SUPPORT IS REQUIRED: PATREON: https://www.patreon.com/LearnFromMasters PAYPAL: https://www.paypal.me/LearnFromMasters --- Giuseppe Maria Crespi: A collection of 73 paintings (HD) Description: "Crespi was a painter in Italy’s late Baroque period, becoming a unique talent in the Bolognese School of painting. He painted religious works, but his lasting legacy was primarily for his contributions to genre painting, or scenes from everyday life. He was called Lo Spagnuolo, meaning the Spanish One, a nickname endeared to him for his love of Spanish fashion in his dress. His earliest training and influence was received under the artist, Angelo Michele Toni (1640 – 1708), then with the Bolognese painter Domenico Maria Canuti (1620 – 1660). There in Canuti’s studio Crespi worked alongside his Bolognese near contemporary, Giovanni Antonio Burrini (1656 - 1727). Crespi and Burrini would be became close collaborators, but Crespi also studied drawing under another Bolognese artist, Carlo Cignani (1628 – 1719) in his Accademia del Nudo. While Crespi welcomed the influence of Cignani’s vivid use of colors, he is famous for having rebelled against the rather academic style of art imposed upon him. Crespi also implored a much greater sense of contrast in his use of color and also the chiaroscuro effect of dark and light contrasts. Within this highly individual style, Crespi explored an almost gritty reality and adept sense of humanism. This was most evident in his genre works, often compared to that of the leading Bolognese family of painters, the Carracci, most notably Annibale Carracci (1560 – 1609), but also to the Dutch and Flemish traditions of genre painters in Rome. The bold colouring used, influenced by the Venetians, is what set the Italians apart in genre works, where softer pastoral colors were more common. Crespi spent some time in Venice absorbing this style and also in Parma where he studied the religious masterworks of Correggio (1489 – 1534). While his religious frescos and altarpieces were of no less skill, Crespi’s artistic revolution was his intense observation of everyday life. These works often contained a hint of darkness in their sympathetic portrayals of lower class life and beggars. While he is sometimes compared in this respect to his Italian contemporary, Alessandro Magnasco (1667 – 1749), it is noted that Crespi’s highly individual style might have been more of an influence, than a similarity to Magnasco. His insights into harsh realty did not spare the mundane and could often magnify the impact of small things, such as his depictions of Fleas invading human comfort. This is seen in his piece, Searcher of Fleas, with a woman distraught and unsettled from her sleep to scratch out the little pests. There is also his piece, now in the Uffizi Gallery, The Flea, which focuses on another woman in a contorted pose in search of a flea. Of his most notable religious works is his series of canvases, titled The Seven Sacraments. The artist was also a portraitist and caricaturist, known equally for his etchings of genre pieces from the Dutch master, Rembrandt. Crespi headed a school in Bologna, where he became an important influence to several Venetian students. He also had two sons who followed their father’s tradition of painting." --- MUSIC: Kevin MacLeod - Evening Fall Harp Evening Fall Harp by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100236 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Instagram: https://www.instagram.com/learnfrommasters/ Contact: [email protected] LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support! #LearnFromMasters #ItalianPainter #BaroqueMovement #OnlineArtGallery #CollectionOfPaintings #ArtHistory #GiuseppeMariaCrespi
Views: 2129 LearnFromMasters
Émile Friant (1863 – 1932) was a French artist, born in the eastern part of France, but forced to flee to Nancy at an early age by the advance of Prussian soldiers. Although he was born to parents of modest means, he was lucky to have “second parents” who helped fund his training. Due to his skill, he was able to present in a Paris salon at the young age of 15 and gain considerable notoriety, becoming rather popular around the Salon scene in Paris during his life. He was known for his rejection of academic painting in favor of us his style of naturalism. From The Eclectic Light Company: He’s been called the Last Naturalist, and like many of the Naturalists whom I have featured here, was both popular in his day and almost forgotten now. Émile Friant (1863–1932) rebelled against the academic style of the 1880s, and is one of the major artists discussed by Richard Thomson in his account of French painting between 1880-1900 From Rehs Art Gallery: In the late nineteenth century Nancy emerged from beneath the shadow of Paris to establish itself as the second artistic center of France. One of the Nancéienneartists was Émile Friant, who began his artistic career at an extremely young age and rose to prominence with his version of naturalism which later manifested into a latent symbolism. It was noted that Friant “appears to have the sincerity at least as much as the ability to be a major artist, and we have confidence that he will remain faithful to art in a time when wealthy manufacturers have invaded the temple, giving young people the fatal example of rapid fortunes and superficial studies…” .. Friant’s public acceptance would reach impressive levels, but despite consistent acclaim, he sought new methods of representation and various uses of media while promoting his work outside the Salon system. […] The life and work of Emile Friant presents an artist who was equally influenced by Paris as well as by his home city of Nancy. But he remained attached to a more academic style of naturalism which appealed to a public both in France and abroad as he demonstrated that the training he received in Nancy could be used to maintain a substantial career. Composer: Whitesand (Martynas Lau) Year: 2017 Title: Neverland 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰 🦉 Follow me on Twitter: https://twitter.com/AncientEurope 🌌 Flickr: https://www.flickr.com/photos/facesofancienteurope/albums 〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰〰
Views: 393 Faces of Ancient Europe
This video lesson is a FREE SAMPLE of our video subscription library at https://NMA.art Visit New Masters Academy for more than 1,000 hours of premium video content. PART II: http://www.newmastersacademy.org/structure-head-steve-huston-part-2-intermediate-head-construction-1/ We've decided to release an entire 3 hour video lesson from our New Masters Academy subscription library to give you an idea of the quality of content you can expect from our Web site. Go to http://www.newmastersacademy.org to learn more. In this exciting in-depth drawing series, instructor Steve Huston shows you a step-by-step construction of the human head. He covers the basic forms and more detailed intermediate constructs of the head as well as the eyes, nose, mouth and ears. In this lesson, you will learn how to use basic shapes (boxes, cylinders, spheres) to form the basic structure of the head. This lesson is a fundamental step in learning how to create a solid foundation to place the features of the face on. He will also show you how to construct the basic head in different perspectives. Following Steve's lecture, he will illustrate how the Old Masters constructed the human head. You will then be given a timed assignment from Steve to utilize what you have learned and practice your skills. Finally, Steve will share with you how he goes about the assignment through his own techniques.
Views: 2538578 New Masters Academy
Alexandre Cabanel (1823-1889) A collection of paintings 4K Ultra HD Silent Slideshow A French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of the L'art pompier and Napoleon III's preferred painter Cabanel entered the École des Beaux-Arts in Paris at the age of seventeen, and studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of 22. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to form the character of belle époque French painting" His refusal together with William-Adolphe Bouguereau to allow the impressionist painter Édouard Manet and many other painters to exhibit their work in the Salon of 1863 led to the establishment of the Salon des Refusés by the French government. Cabanel won the Grande Médaille d'Honneur at the Salons of 1865, 1867, and 1878. A successful academic painter, his 1863 painting The Birth of Venus is one of the best known examples of 19th-century academic painting. The picture was bought by the emperor Napoleon III; there is also a smaller replica (painted in 1875 for a banker, John Wolf) at the Metropolitan Museum of Art in New York City. It was given to them by Wolf in 1893. His pupils included: Rodolfo Amoedo Joseph Aubert Henry Bacon George Randolph Barse Alexandre Jean-Baptiste Brun Jean-Eugène Buland Jean-Joseph Benjamin-Constant Vlaho Bukovac Gaston Bussière Louis Capdevielle Eugène Carrière Fernand Cormon Pierre Auguste Cot Kenyon Cox Édouard Debat-Ponsan Émile Friant François Guiguet Jules Bastien-Lepage François Flameng Charles Fouqueray Frank Fowler Henri Gervex Charles Lucien Léandre Max Leenhardt Henri Le Sidaner Aristide Maillol Édouard-Antoine Marsal João Marques de Oliveira Jan Monchablon Georges Moreau de Tours Henri-Georges Morisset Henri Pinta Henri Regnault Iakovos Rizos Louis Royer Jean-Jacques Scherrer António Silva Porto Joseph-Noël Sylvestre Solomon Joseph Solomon Paul Tavernier José Ferraz de Almeida Júnior Étienne Terrus Adolphe Willette https://en.wikipedia.org/wiki/Alexandre_Cabanel
Views: 408 Master Painters
William-Adolphe Bouguereau was born in La Rochelle, France on November 30, 1825, into a family of wine and olive oil merchants. He seemed destined to join the family business but for the intervention of his uncle Eugène, a Roman Catholic priest, who taught him classical and Biblical subjects, and arranged for Bouguereau to go to high school. Bouguereau showed artistic talent early on and his father was convinced by a client to send him to the École des Beaux-Arts in Bordeaux, where he won first prize in figure painting for a depiction of Saint Roch. To earn extra money, he designed labels for jams and preserves. Through his uncle, Bouguereau was given a commission to paint portraits of parishioners, and when his aunt matched the sum he earned, Bouguereau went to Paris and became a student at the École des Beaux-Arts. To supplement his formal training in drawing, he attended anatomical dissections and studied historical costumes and archeology. He was admitted to the studio of François-Edouard Picot, where he studied painting in the academic style. Academic painting placed the highest status on historical and mythological subjects and Bouguereau won the coveted Prix de Rome in 1850, with his Zenobia Found by Shepherds on the Banks of the Araxes. His reward was a year at the Villa Medici in Rome, Italy, where in addition to formal lessons he was able to study first-hand the Renaissance artists and their masterpieces, as well as Greek, Etruscan, and Roman antiquities. He also studied classical literature, which influenced his subject choice for the rest of his career. Bouguereau, painting entirely within the traditional Academic style, exhibited at the annual exhibitions of the Paris Salon for his entire working life. ~ Wikipedia
Views: 594 maple1255
Giorgio de Chirico: A collection of 166 paintings (HD) Description: "Giorgio de Chirico was an Italian artist who co-founded the genre of ‘metaphysical painting’ which had a profound influence on the Surrealists. Born in Rome, he developed a keen interest in art in childhood and was also moved by philosophical writings. As a young artist, he was enthused by the European Symbolist artists and their use of dream-like imagery. His earliest signature works combined a Symbolist sensibility with his love of the classical antiquities of ancient cities and his philosophical musings on the true nature of reality. He held many exhibitions of his work around the world and was much praised for his brilliant and intricate interpretations of everyday life which were expressed vividly through his paintings. He introduced the world to the style of metaphysical painting and his enigmatic scenes of empty cities, menacing statues, mysterious shadows and strange combinations of everyday objects inspired the artists of the Surrealist movement in the 1910s. However, the element of mystery in his paintings diminished after 1919, when he eventually began painting in a more realistic and academic style. Although his later works failed to recapture the unsettling originality of his early paintings, he is still recognized and praised for his influence on both, the Surrealists and THE later generation of artists. His contribution to modern art of the 20th-century is invaluable." --- SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: [email protected] --- Thanks for all support!
Views: 5721 LearnFromMasters
Google doodle celebrated the birth anniversary of world-renowned Bengali painter, Jamini Roy. Born on this day in the last century, Mr Roy is one of the most significant modernists in the world of Indian fine arts of the 20th century. He was also accorded with the honour of Padma Bhushan award in 1955. The National Gallery of Modern Art says Mr Roy "turned to the folk arts of Bengal". As brought out quite simplistically in the Google doodle, Jamini Roy exhibited use of bold, flat but dazzling colours unlike the natural colour palette used at that time. His style was restricted his palette to seven colours- Indian red, yellow ochre, cadmium green, vermillion, grey, blue and white. Even though he is known for his distinctive style, the artist is also identified as one of the most famous students of Abanindranath Tagore. Jamini Roy was born in the year 1887 in Beliatore, Bankura part of erstwhile undivided Bengal. The versatile artist's career spanned over six long decades. Mr Roy graduated in British academic style of painting from the Government Art School. During this phase, he also made copies of European masters. Although, he was a skillful portrait artist, in the era when nationalist movement took its roots in the visual imagination of many artists, he rejected the art he was trained in. Subscribe to our channel for Latest news and updates in marathi, marathi news, maharashtra news, breaking news, headlines, Latest news, video, marathi newspaper, marathi movie, sports news, international news, world news, crickets, entertainment news, bollywood, National news, Agriculture, business, Politics news, health, science, business, exclusive news, Live TV, photogallery, blog, poll, opinion, मराठी न्यूज, जय महाराष्ट्र न्यूज, महाराष्ट्र न्यूज. Don't forget to Like & Share for more news and Videos Subscribe to our Youtube: http://bit.ly/jmnsubscribe Like us on Facebook: https://www.facebook.com/JaiMaharashtranews Follow us on Twitter: https://twitter.com/JaiMaharashtraN Circle us on Google plus: https://plus.google.com/+Jaimaharashtranews/posts Visit us on: http://jaimaharashtranews.tv Jai Maharashtra Live TV: http://bit.ly/2bCRYJI For Caller Tunes & Ringtone: http://bit.ly/2dogPk9
Views: 183 Jai Maharashtra News
Thank you everyone for watching and for comments! ༺❀༻ All the best! OUTIN, Pierre (b. 1840, Moulins, d. 1899, Paris) French painter. Like many aspiring artists, Outin travelled to Paris where he trained under the landscape and figurative painter Charles Joseph Lecointe (1824-1886) from whom he gained a strong understanding for landscape painting as well as elements of the Orient. He was also a pupil of the classical and historical painter Alexandre Cabanel whose academic style, historical subjects and fine drawing was to provide the strong grounding for Outin's highly successful career; this was confirmed when he made his debut at the Paris Salon in 1868. He is best known for his portrayals of dramatic historical genre, fêtes galantes, Orientalist works as well as portraits. He often portrayed his figures in historical dress, generally from the eighteenth but sometimes from the seventeenth century. His fêtes galantes evoke the style of the eighteenth century master Antoine Watteau. Music: Mozart
Views: 1936 K A R O L A
http://www.RealismGuild.com - http://www.StudioScottsdale.com The International Guild of Realism's mission is to advance realism in fine art through museum exhibitions, art gallery shows, workshops and education programs conducted by our Members, marketing support and Internet exposure. For us, "realism" ranges from classical realism (based upon the traditional, academic-style painting techniques) to contemporary realism (where cutting edge techniques and subject matter are used to comment on today's world). Trompe l'Oeil, photorealism, surrealism, and super-realism are some of the genres included within the range of realism choices for modern artists as well. The International Guild of Realism's own website at http://www.RealismGuild.com features 265 worldwide artists. The International Guild of Realism was founded by a group of leading professional realism artists from around the globe in 2002 with four goals: - Recognizing the best realists working today - Creating exhibition opportunities - Providing technical and promotional support - To offer a bridge between art collectors and the highest quality realist art
Views: 1988 The DM Zone TV
Atelierauction: www.atelierauction.com Daniele Bongiovanni (Palermo, 11 April, 1986) is an international academic-style painter, poet and illustrator. He obtained his degree in Art Education at the prestigious Accademia di Belle Arti di Palermo, the educational goal focused on the Poetics / Training of the Austrian playwright and following the method of painter Oskar Kokoschka, and the Pedagogical training entitled Through Kokoschka's article: Analysis on the artist - Nature Trail. He currently works in Europe and the United States. He has been involved in many art-related big event for years, he has consummate techniques towards drawing, painting, classical and he had participated in a lot of contemporary art exhibitions and many of his works were archived in some publications such as The uncertain (poetry and visual art) which was distributed in many global national libraries.
Views: 86 Atelier Auction
Claude Monet: A collection of 1540 paintings (HD) Description: "Claude Oscar Monet was born in Paris on November 14, 1840. Soon after, his family moved to Le Havre, where he spent his youth. His acquaintance with Eugène Boudin lead to Monet seriously pursueing his education as a painter in 1858. Boudin and Jongkind taught Monet to always work in the field in front of his motif. The following year Monet went to Paris anyway to begin academic training. He joined the "Akademie Suisse" and joined his later fellow painters from the Impressionist group, especially when painting together "en plen air" in the forest of Fontainebleau. Their constant struggle was to have their pictures exhibited at the official "Salon de Paris", where the conservative jury mostly declined their paintings. Because of the lack of acceptance of his artwork, Claude Monet and his small family had to live in dire poverty for many years. In 1879 his first wife Camille, with whom he had two children, died. Monet's art had meanwhile developed from withdrawn color paintings to form an independent Impressionist style. With his famous painting "Impression: soleil levant", Claude Monet named one of the most important genres of Avant-garde art. Some art lovers, especially the art dealer Durand-Ruel, supported him financially. Very gradually, a market developed for his pictures. In 1883 Claude Monet managed to earn enough money to move to Giverny, west of Paris, where he managed to buy the house he had been renting in 1890. He now had a place to return to after his frequent travels and the garden of his property, which he later managed to extend, provided constant inspiration for his work at home. In 1891 Monet painted the first of his famous series: the "meules" (haystacks) were followed by pictures of poplars and the river Seine, the cathedral of Rouen, the river Thames in London and many more. His exhibitions were great successes and Monet became a celebrated artist. In 1892 he married Alice Hoschedé, who brought more children into the family. From the turn of the century, the water lilies on the specially designed pond in Giverny and the picturesque wooden bridge in Japanese style became Monet's favorite motifs. In 1911 Alice died. In 1916, at the age of 76, Monet started his largest project: the creation of the famous wall decoration depicting the pond with the water lillies (now in Paris). In the 1920s his eyesight deteriorated and he had to have surgery, but he still did his utmost to continue painting. Shortly before his death on December 5, 1926 Claude Monet finished his water lilly paintings. Today Claude Monet is regarded as the most well known Impressionist artist. His late work is increasingly considered to be the precursor for the abstraction of the 20th century." Feel free to subscribe!
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Proche des préraphaélites, le peintre John William Waterhouse est connu pour ses tableaux inspirés de la légende arthurienne. Soutenir Les dessous du visible https://www.tipeee.com/jean-mineraud John William Waterhouse (1849-1917) was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. Waterhouse’s artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. Born in Rome to English parents who were both painters, Waterhouse later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. John William Waterhouse's work is currently displayed at several major British art galleries, and the Royal Academy of Art organised a major retrospective of his work in 2009. Sources : Journal du symbolisme - Skira Dictionnaire universel de la peinture – Le Robert Wikipedia the free encyclopedia Jean Mineraud – Les dessous du visible
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Pencils Used 👉 DOMS ZOOM - Ultimate Dark ( it's a normal pencil, you can use anyone which you have. ) In this video I show you how to draw a Girl with cap using a normal pencil step by step for beginners. Hope you enjoyed the video. Click here to SUBSCRIBE 👇👇👇 http://www.youtube.com/c/ArtArena?sub_confirmation=1 Thanks for visiting and please subscribe the channel for more art videos. Have fun !!! Things used 👇 Graphite Pencil 👉 (DOMS ZOOM -Ultimate Dark) Eraser (Normal) Dry Paint Brush ( for blending ) Be Friends 😉 📘 Facebook - https://www.facebook.com/Deepaksart 📸 Instagram - https://www.instagram.com/deepak________/ 👉 https://www.instagram.com/artarena1 🐦 Twitter - https://twitter.com/deepak_kr_s Music 1 - Epidemic Sounds 2 - Giulio Cercato: https://www.facebook.com/GiulioCercat... https://www.instagram.com/giuliocercato Music from Soundcloud Music provided by RFM: https://youtu.be/JghL94h-_SA #PencilSketch #SatisfyingArt
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Camille Corot: A collection of 710 paintings (HD) *UPDATE (added over 200 new paintings than previous video) Description: "The hazy landscapes and poetic mythological tableaux of Jean-Baptiste-Camille Corot mark an important period of transition in French painting, from the academic Neoclassicism of the early 19th century to the vanguard developments of its later decades, when truth to life, and to emotion, became a more important marker of artistic value than historical or moral significance; and when landscape painting came into its own as the defining genre of the age. Corot was too old to be directly associated with the movements - Realism, Impressionism - which articulated this shift, and was connected with the academic institutions which they spurned. But the lyrical expressiveness of his work, its focus on the natural world, and its movement away from a sharp academic style, made it an important exemplar for the artistic radicals of the late-19th century." --- MUSIC: Kevin MacLeod - Meditation Impromptu 01 Meditation Impromptu 01 by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100163 Artist: http://incompetech.com/ Kevin MacLeod - Meditation Impromptu 02 Meditation Impromptu 02 by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100162 Artist: http://incompetech.com/ Kevin MacLeod - Meditation Impromptu 03 Meditation Impromptu 03 by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100161 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Google+: https://plus.google.com/+LearnFromMasters Contact: [email protected] SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support!
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